5 Useful Oil Painting Tips for Beginners

Oil paints are appreciated for their color options, quality and versatility. However, for the complete beginner there is a short learning curve to over because of the long drying time and having to work with toxic solvents. Let's take a look at a few things to consider for those looking to get started with oil…

Oil paints are appreciated for their color options, quality and versatility. However, for the complete beginner there is a short learning curve to over because of the long drying time and having to work with toxic solvents. Let's take a look at a few things to consider for those looking to get started with oil paints:

Start with a small canvas

A great way to get started is with small paintings, such as the canvas boards or canvases at 8 x 10 inch. Alternately, it is possible to start out by painting on paper. The use of a small area is great to experiment and try out different paint techniques. Also, it will avoid spending too much money on material if this does not turn out to be a long-term hobby.

Create the right setting

The preferred space for painting with oil paints is well-ventilated and in an out-of-the-way area that makes it possible to leave the supplies and palettes out so they may be used as necessary. If your paintings are kept out in the open you have the opportunity to see and think about the paintings. Also, with your supplies kept out, you are more likely to get involved with your painting activity and rapidly improve your skills.

Use high-quality brushes

Start with brushes in at least three different sizes. They should be the highest quality that you can afford. Once you start to get more skilled with your oil paints, you can look to invest in a more varied selection that includes different shapes. Also, it is important to buy brushes designed to use with oil, which can include natural hair and synthetic brushes. One of the most popular types is the bristle brushes.

Professional paints

Invest in the professional rated paints that have the highest amount of pigment. Try to avoid using student grade paints because they are at a much lower quality. Additionally, it will benefit to keep the painting palette to a minimum when first starting out. A great place to start with oil paints is with monochrome painting. Later with experience, it is possible to add in more wide-ranging color choices to create the warm or cool painting.

Maintain the work area

Many of the oil supplies can be toxic if they get absorbed in the skin or ingested. For this reason, it helps to maintain the work area and keep disposable palettes, paper towels, rags, paints, etc. away from small children and pets.

The Joy of Painting Pictures

When first starting to paint on a canvas it was a total new experience for me. My first baby was just a few weeks old and while walking with him past a shop it was fun to go in and explore the paintings and things on display. Something inside was pushing me to buy some…

When first starting to paint on a canvas it was a total new experience for me. My first baby was just a few weeks old and while walking with him past a shop it was fun to go in and explore the paintings and things on display. Something inside was pushing me to buy some and have a go. Selecting a few student oils on the advice of the shop keeper it meant taking some canvas boards and brushes along with me.

A nice picture of the Darling River in New South Wales was the inspiration for my first painting. Believe it or not that work work hangs on the wall in my home some 48 years later. Despite it being in student oils it is as good as the day it was painted.

Since then many paintings have followed and graduating to artist oils was not such a big deal. The results are magic and over time they seem to grow in color and perfection. Tempted to put a few in exhibitions was another experience as it taught me that good paintings are valuable to others as well as myself.

The gift artists have to draw and paint beautiful scenes is extra special and many have natural talents born within them. This happened to me. As a young child there were always paintings pouring out of me over paper using chalk as the medium. That was all there was available in those days as it was during the Second World War years mainly.

With memory of my reincarnation it is highly likely that in my previous life art was one of my pastimes. Carrying such things over from one life to the next is something my experience taught me. This was emphasized because of the other language that also came with me and through which my communication with the Spirit of the Universe continued.

It was obviously that link that led me into the craft shop that day and which has guided my hand ever since. Painting is one of those wonderful hobbies that allows the inner voice to be heard. It sill guides me in everything I do and probably no more so while painting and writing.

For anyone who believes they would get pleasure from expressing their talents on canvas there is nothing stopping them from giving it a shot. They do not need much to start and there is no telling where it might lead them. They do not need to even draw these days as one can project an image onto the canvas and paint it. There are also many different techniques and paint mediums now that range from water colors to pastels and so on.

Why You Should Buy Original Art Online

There are many ways that a person can purchase original artwork. Original arts are quite expensive. This is the reason why a person should be careful not to purchase counterfeit arts. There have been many cases where a person ends up purchasing fake or duplicate arts. Most people tend to purchase artwork directly by visiting…

There are many ways that a person can purchase original artwork. Original arts are quite expensive. This is the reason why a person should be careful not to purchase counterfeit arts. There have been many cases where a person ends up purchasing fake or duplicate arts.

Most people tend to purchase artwork directly by visiting the artist or any legalized agents. This is because they will have a perfect view of the art before deciding to purchase it. However; this process can be quite tiresome because a person needs to move around looking at different arts.

Why online?

As we all know, the business world is shifting its gears to digital. This is one reason why different business sectors are establishing online platforms to carry on their various businesses. Here are some reasons why you should purchase your original arts online:

Convenient – Through the establishment of online platforms, a person does not have to visit art galleries or auctioneers stalls to purchase his / her desire. Through online portals, a person can gain access to the selected art, have a perfect view of the original art and purchase it while at your comfort zone.

Accessible anytime – All online portals can be easily accessed anytime, whether day or night. Online shopping has not opening and closing period. It is operational anytime of the day.

Cost effective – Online shopping saves a person the expenses of traveling to different gallery stores to check out various galleries, purchase and transport the galleries purchased to their relative destination. Through online portals, a person can select his desired art gallery from his / her comfort zone, pay for it and have them delivered to his / her doorstep.

There are many things a person needs to keep in mind before purchasing any original art online. They include:

Background – It is important to do a background check on the original art dealer. This criterion helps you confirm that you are dealing with a genuine agency. As we all know, there are many fake online agencies which are after customers' money.Alternatively; a person can ask around for the best agencies worth checking out.

Types of art – There are different types of arts. These arts are designed using various equipment. This criterion will help you narrow your search in search for a perfect agency to transact with.

Mode of payment – Different online platforms has a different mode of payment. A person should always go for an art dealer who has the most convenient mode of payment.

Services – Art dealers offer a different form of services ranging from discounts to home delivery. A person should, therefore, check out such services and select the agency with services that favor you.

Price – Original arts differ in terms of prices and the dealer selling the original art. Check out for the most affordable dealers that offer prices that you can comfortably afford. You can compare prices of different agencies by checking out various comparison sites.

The process of purchasing original artwork can be simpler when using online platforms.

Mixed Up Mediums: A Review of Oil Painting Mediums With Some Basic Tips

This article reviews some of the more popular oil painting mediums, their purpose, and some tips on how to use them. The purpose of adding these substances to your oil paints is to change the behavior of the paint during application and affecting results after the painting dries. Behavior refers to how the paint comes…

This article reviews some of the more popular oil painting mediums, their purpose, and some tips on how to use them. The purpose of adding these substances to your oil paints is to change the behavior of the paint during application and affecting results after the painting dries. Behavior refers to how the paint comes off the brush and glides on the surface, how it covers either the surface or succeeding layers, and just how it feels as you apply it.

Brands of paint act differently and mediums help you control the paint the way you want it to act as you use it. Some paint brands — and here I am only referring to the artist grade paints rather than the student grades — are stiffer right out of the tube. Student grades have less pigment and more fillers like extra oil and just do not perform well. If you use those paintings that are stiffer out of the tube, but want more versatility in how they handle, or have, you'll need a medium. Other artist grade paints are what I call fluffier and go on more smoothly right out of the tube. If you want brush strokes in your final painting, a stiffer paint works better. Adding a refined linseed oil in tiny amounts until it feels right to you will encourage the paint to level out and show less strokes. Less linseed oil and more strokes will show. If you prefer an impasto technique (think Van Gogh), Gamblin Alkyd Gel thickens paint nicely. Always remember to never put a faster drying layer over a slow drying layer of paint. The top layer can dry too quickly and form a barrier causing the underlay layer to be sealed in and could ripple or crackle the surface down the road.

Glazing mediums allow you to apply thin layers of paint and build color and luminosity by having the viewer's eye mix the colors rather than mixing the paint on the palette or canvas. Using a medium like Liquin by Winsor & Newton presses drying time while thinning the paint allowing layers to be built without waiting a few days for each layer to dry before you apply the next layer. There are also glazing mediums available like A traditional medium used for decades by many painters is refined linseed oil, a touch of solvent (typically mineral spirits), and a touch of stand oil, and a touch of Japan or Cobalt Drier These ingredients are mixed in a balance to achieve your desired results, like faster drying time, more gloss, etc. Stand oil is just a thicker linseed oil that can reduce brush strokes and increase gloss. Adding Damar varnish to your mix also adds gloss and can speed drying time. Damar varnish is made from tree resin and alkyd is a form of synthetic resin.

There are a number of mediums and I recommend you try several until you find what works best for your style of painting. Along with those mentioned above are safflower oil, poppy seed oil, and walnut oil.

Painting Outdoors or In the Studio

My experience with painting happened when I first visited my uncle's graphic arts studio, where I took contact with the tempers and brushes as well as other materials used in that activity. I remember that the jars of tempera came from Germany and Holland. The tempera is a material that is diluted with water, and…

My experience with painting happened when I first visited my uncle's graphic arts studio, where I took contact with the tempers and brushes as well as other materials used in that activity.

I remember that the jars of tempera came from Germany and Holland. The tempera is a material that is diluted with water, and using a brush is transferred to the paper. It is a painting that covers, contrasting with watercolor that is transparent, or the ink that could be.

The oil is a material that covers as well, but offers a different texture and its use is more for paintings over canvases. The use of the tempera was destined for commercial work.

Additionally, to my experience with tempera in mostly commercial works, I also got experience with oil painting. Indeed, when I was in high school, I had the opportunity to attend an oil painting course, taught by a professor at the School of Fine Arts in Lima, during the school holidays.

In there I learned a lot from the technique of oil painting, and particularly the painting of still life and models that took place in the school halls.

After these initial experiences, which were as painting in the studio, I could say that my first experience of painting outdoors was when I attended school painting contests. In such competitions participating all high school's students of the city. The organizers treated us to some interesting square, where generally one of the buildings was a church or the municipality local. The material that we used was oil painting on a rigid cardboard base. Some participants used shoe polish as a paint. The winners of the contest got prizes and diplomas.

At one time I rented a room in my aunt's house and there I remember working many oil paintings. I had learned to prepare the canvases and that made my work easier and more economic.

Few years ago I became more interested in watercolor painting. I already had experience with such material, but I think that after seeing the works of watercolor artists in the art salons that were organized in my city, I felt a desire to learn about this technique and began to paint with it.

I decided to do some watercolors outdoors and for that I looked for scenery outside the city. Scenery with fields, trees, rivers and blue sky. Furthermore it's important a sunny climate, because in order to paint outdoors is advisable a sunny day, as there are lights and shadows that contrast the painting. The best time to paint outdoors is to do it before or after noon, because in those hours the shadows are much better appreciated.

Actually, painting outdoors is really a very pleasant experience and it's more when you achieve a good painting, as it's the same as winning a challenge. It's advisable to take an easel and a folding chair, although in the field you can find somewhere to sit. The easel must be supported with a weight, which can be a stone that hangs from it. This is done so that no unwanted wind will pull it down.

The paper must be previously glued to a wooden base, but you can also use watercolor blocks which sides are glued.

Furthermore, you need to consider that painting an outdoor watercolor is a process that must be executed quickly, as the sunlight changes quickly and there may be variation in colors, although not so much in forms, except when you are painting animals like cattle, horses or birds.

Finally, you must welcome the situation of being seen by the people or someone who comes and makes comments. Generally, there are few who stop to observe when one paints, and if it happens you should remain concentrated in your painting.

Penny-Pinching Artist – How to Save on Materials and Create Your Own

Most people know now that personal finances will be getting tighter and tighter. Everything is going up in price, including art materials. How are we to keep painting, whether we are selling our work or not? There are various ways in which costs can be kept down. This article aims to explore and find out…

Most people know now that personal finances will be getting tighter and tighter. Everything is going up in price, including art materials. How are we to keep painting, whether we are selling our work or not?

There are various ways in which costs can be kept down. This article aims to explore and find out what some of them are.

Online Shopping (and indeed offline).

Always keep an eye open for discount offers. If you purchase from various online suppliers as I do, you will be on their mailing lists. When discounts are running, it is a good time to buy things that are typically quite expensive, such as oil paints or very heavy-weight watercolour paper. If you can stretch your purse, consider larger tubes of paint (like 200ml) especially oils and specifically if they are the more expensive colors. The top brands will last for years (unless you're painting huge yacht-sail canvases).

eBay is worth a punt, but note that many sellers are very conscious of what things normally go for and, although their prices may appear lower, they then have to add the postage on. A tube of paint priced £ 2 or so lower than the norm may not prove to be much of a saving by the time you've paid £ 3 postage for that single item. Having said that, if you trawl regularly through the art supplies sections, you can come across bargains. I once purchased a full set of Daler-Rowney pastel pencils for almost half-price, simply because the company had made alterations to the pastel formula and had discontinued the current boxes of pencils.

Similarly, there are branded paintings that are actually good quality, but are not household names to the majority of people … these times come up for sale and can be obtained with no competitive bids simply because most people are not familiar with them.

Grade of Paints.

If you sell your work, you'll probably prefer artist-grade paint; but it is not unusual to find professional artists choosing certain student-grade colors for their work simply because they like the shade or the handling of the paint. Student grade paints from the big names are generally good value; especially in acrylics, where they often come in large volume.

Canvases.

Piles of canvases come from many places in the East these days. You can buy whole boxes of them at discounted prices from online suppliers, including eBay.

The one thing I would note is the build quality. Many are OK; but some are poorly constructed. I have had “square” canvases looking anything but square. What happens is that if one stretcher-bar is slightly longer than the rest, a perfect square or rectangle is not obtained. The resulting canvas looks absolutely awful when hung on the wall and it is not fit for purpose … even if you ARE a penny-pinching artist.

Dud canvas? Cut off the canvas and use it to make a panel; Egypt just practice on. Better still, invest in a whole roll of canvas. Expensive outlay but you'll be able to cut off exactly what you want, when you want, and prepare it as you wish … and it could last you simply years.

Canvas Boards

Another way to save is to use canvas-boards. A lot of professional artists prefer them. Canvas-boards are made from compressed card overlaid with a proper sheet of decent quality canvas and glued in place. They last for years; I still have canvas-board paintings from the 1970's and they are absolutely fine.

You can buy boxes of them from some online suppliers and eBay is not a bad place to look either.

And even cheaper …

MDF

Medium density fibreboard has found favor with many painters. Available in several thicknesses, the 3mm and 4mm sizes prove popular. Easily cut into any size (and shape) that you want, MDF needs sealing and priming before use. You can use a standard sealer followed by several coats of acrylic gesso, with light sanding in between. Remember the edges as well. If you cut your own, use a dust mask, MDF does create a lot of flying particles.

However, MDF is not quite as stable as people think. There is a problem sometimes with what is known as substrate-induced discolouration (SID). There are some solutions on the artists' market that will deal with this.

Conservation experts are not convinced about the long-term stability of MDF, but most of us are not necessarily going to be painting masterpieces that need to last for several hundred years. Properly prepared, MDF is fine. Some artists find it is too smooth for their liking. It is also feasible to prepare a panel and then glue proper canvas around it; this may provide the extra tooth that some prefer.

And really really cheapskates …

Paper

You can paint oils on watercolour paper as long as you prime the surface first, acrylic gesso is ideal. This forms a barrier, preventing (or certainly delaying) destruction of the paper by the oils. Just how long it lasts for, I really do not know but I would suggest not producing too many masterpieces this way; just to be on the safe side. Acrylics on watercolour paper do not cause a problem.

There are now special papers available for oil-painting; these look just like watercolour paper but have been specially treated to handle the destructive properties of oil-paint. They are not necessarily cheap per sheet … but … a whole sheet for six or seven pounds will cut up whatever size you want, and you'll get some work surfaces for your money.

Hardboard.
I am not sure about this one. The ideal hardboard is one without oils in it (untempered) but I have no way of telling one from the other. If you use it, sand the surface first, use SID treatment and give several good coats of primer.

Try and use artists' primers rather than those from a DIY shop. I know this is a penny-pinching article but these primers have fungicides and other chemicals in that may react with your paints.

Making your own …

It is possible to make more good panels by gluing sections of cotton shirts or old bedsheets onto MDF or hardboard. Use pva or an acrylic medium to do the sticking. Wrap the material over the edges and fix to the back, before adding a primer to the surface.

Acrylics can be painted onto plastic surfaces, opening up many ideas for the use of acrylic-sheet, perspex and other similar materials. One of the best places to trawl is, again, eBay, look for offcuts or someone selling panels.

Other Media … Watercolour.

Good quality watercolour paper can be costly. So why not consider the lightweight papers such as 90lb? I have read about artists spreading water on both sides of their 90lb paper and simply letting it stick flat — without any taping — to a very clean smooth board such as formica or marble (an old kitchen work-surface would probably do ). The sheet places in place for a fair length of time. Other people do not tape it, but simply place bulldog-style clips to affix it to a board, allowing the paper to stretch, cockle and then dry again without fiddly taping.

Pastels

There are options for creating a variety of surfaces which will make you less dependent on “ready-done” papers.

Gritty or grainy papers are very popular today for pastel work. You can make your own gritty surfaces using several materials plus a pot of pastel-primer paint. Try using the primer on mountboard (which is conveniently acid-free), or other thick card. There is a trend to using MDF as well, painted and prepared with a gritty primer. Even plastics and metal will hold a proprietary pastel-primer.

Alternately, paint the surfaces with clear acrylic gesso. This medium actually has a good tooth and a couple of coats will probably give you all the grip you need.

If you're keen you can buy a bag of 4+ fine-grade pumice stone and mix it with white gesso, to paint on your surfaces.

I've known people use sandpaper from the hardware shop; yes it does work, but the paper is not acid-free. Pastel is however a dry medium, so if you really want to be experimental then get yourself a sheet or two of fine-grade sandpaper. Avoid the rougher grades, the grain will eat your pastels in minutes.

Finally … PAINT SMALLER!

The main thing is that you are able to find ways of keeping your skills alive when money is a bit tight. If you can paint, … or even just DRAW … during these times, you will have a collection of work ready to sell when the dark clouds draw away and things improve again.

An Artist’s Guide. Analysis of Sir Joshua Reynolds Third Discourse

Sir Joshua Reynolds presented his third of fifteen discourses to the Royal Academy of Art on December the 14th 1770. He opens with a brief synopsis of his previous two lectures by saying that foremost an aspiring painter must master the rudiments of his or her art by learning to draw, compose and color his…

Sir Joshua Reynolds presented his third of fifteen discourses to the Royal Academy of Art on December the 14th 1770. He opens with a brief synopsis of his previous two lectures by saying that foremost an aspiring painter must master the rudiments of his or her art by learning to draw, compose and color his work. Upon this basis the student is then advised to thoroughly study the, 'work of those who have stood the test of ages,' sometimes the Old Masters of antiquity and in addition the forms of nature. Sir Joshua now explains that the latter study of nature must not become an end in itself, because it would risk producing an art which is unimaginative and mechanical. In Reynolds 'teaching, Nature, can be malformed and subject to' error, therefore he instructs his students to learn how to improve upon nature itself.

How can one achieve this? What follows is a thematic topic and one which it must be remembered is directed at the student of art during the 18th century, and as such the close study of visual objects is expected, much as a scientist would approach his or her study of the world today. Sir Joshua teachings that it is possible to internalize in one's mind the 'ideal' of beauty. This ideal is what enables 'all the arts to receive their perfection, superior to what is to be found in individual nature.' Speaking further on this point Sir Joshua contrasts the limited painters of his day with the favorite artist of antiquity, Phidias, he adds;

“Who takes such forms as Nature produces and confines himself to an exact imitation of them will never attain what is perfectly beautiful, for the works of nature are full of disproportation and fall very short of the true standard of beauty.”

The French express the 'ideal' of beauty as the 'beau ideal' where the Italians call it 'gusto grande.' Speaking to his students at the Royal Academy and by extension to the reader some two hundred and forty seven years later, Reynolds empathises with intermediate level painters. He understood 'that divine inspiration' which is so apparent in the great works of antiquity is very difficult to acquire. For those painters who believe that attaining to such heights is beyond their ability and desire to be taught by any authority Sir Joshua wryly comments, “could we teach taste or genius by rules they would no longer be taste and genius.” However he offers solace to his audience with some practical instruction.

In order to transcend the defects of Nature and reach the 'ideal' beauty, which is the province of true genius, he teaches that “one must discover what is deformed in Nature” and then repeatedly compare all objects that display blemishes with those that are considered to be beautiful. In this manner a painter is not beholden to copying nature but following long years of scrutinizing the differences between beautiful and ugly forms, an artist learners to internalize the archetype in common with all beautiful forms. Using this archetype, the artist will be able to portray beautiful forms from imagination and correct ugly forms in nature; a process in some ways similar to how a plastic surgeon can alter the disproportionality of a face to appear more pleasing to the eye. As Sir Joshua puts it;

“It is not every eye that perceives blemishes. It must be an eye long used to the contemplation and comparison of, (beautiful and ugly; forms; and which by a long habit of observing what any set of objects of the same kind have in common, has acquainted the power of discerning what each desires in particular … By this means he acquires a just idea of ​​beautiful forms, he corrects nature, her imperfect state by her more perfect. ”

As the previous two discourses explain, a painter has by now developed all of the skills and techniques which enable him or her to copy nature, the artist has also thoroughly absorbed the works of the Old Masters and the secrets of composition contained within them. Now the painter is beholden to no authority and seeks his own way to portray the world, his own vision of it.

Caravaggio, Titian or Rembrandt could paint the same theme and feature the same objects, though produce very different works. It is by virtue of their individual vision that they spontaneously create a world resembling our own, but at the same time variously individual. To pick up a pencil or brush and manifest something perfectly beautiful and harmonious, a face, a hand, a group of figures in a landscape, this is the genius that Sir Joshua is trying to help the aspiring student to appreciate and to develop. Not mere slavish copying of the world around them. Sir Joshua adds;

“This idea of ​​the perfect state of nature, which the artist calls the ideal beauty, is the great leading principle by which works of genius are connected … and which seems to have a right to the epithet of divine as it seems to preside … over all the productions of nature. ”

If it is a fact and not merely classroom speculation that artists can develop an ability to manifest the 'ideal' beauty, then where is the best evidence of it to be found in Art? To this question Sir Joshua reiter to the works of the ancient sculptors who “being indefatigable” in the school of nature, have left models of that perfect form behind them. “The display of perfect beauty within the sculpture of antiquity is repeatable, as has have been shown in countless of their works. Therefore this must result from some sort of principle, otherwise such beauty would not be possible to repeat. What principle could this be, Reynolds requests, but from the despite comparison between beautiful and ugly forms? such perfect or 'ideal' beauty is something that Sir Joshua believed is not inborn but is acquainted only from the study of nature; “if felicity is mean anything of chance or something born with a man and not earned, I can not agree.” Is This is certainly true? Perhaps a more moderate outlook would be to say that some people are born with a greater aptitude for grasping the 'ideal' beauty and that there is such people would require less study of nature to int ernalise the archetype.

Moving on, Sir Joshua has demonstrated that to reach the archetype of beauty one must contrast many beautiful and ugly forms, but he now shows that a further impediment to reaching this archetype is ones own upbringing in society and the fashions of ones day, which can so condition our way of looking at the world that we can no longer see nature purely but mixed with human tastes andventions. Reynolds contrads the simplicity of nature, which is devoid of contrivance and is to be emulated, with forms adulterated by the fashions of a particular time period, which are to be avoided. He advises the aspiring painter to;

“Disregard all local and temporary ornaments and look only on those general habits which are everywhere where and always the same … The prejudices in favor of the fashions and customs that we have been using to and which are justly called second nature, make it too often difficult to distinguish that which is natural from that which is the result of education. ”

How then is a painter to separate from the fashions of the day? Sir Joshua explains that it is again by studying the 'Ancents,' because their work is true to the “real simplicity of nature.” Simplicity points towards the 'ideal' beauty and together these two measure the mark of a great painter. Sir Joshua explains; “Beauty and simplicity have so great a share in the composition of a great style, that he who has acquainted them has little else to learn.” As he approaches the conclusion of his third discourse, Reynolds explains that a painter of greatness is not concerned with merely deceiving the eye by the preciseness of a depiction but is more interested with the grandeur of his or her subject, with its meaning and the power that such a work possesses to move the viewer deeply, in this way ranking art as a sister of poetry.

Having said that, Sir Joshua finishes by advising his students to remember the lessons of the previous two discourses and not to disdain the ability to draw and represent the world realistically, otherwise an artist would risk risk sloppy and therefore become unable to justly represent the beau ideal in a simple way. In conclusion the third discourse advises students of art to not be slaves to what they perceive, but through the study of antiquity and analysis of the distinguishing features which separate beautiful and ugly forms, to internalize beauty's archetype and render it at will due due to maintain simplicity and technical prowess.

Fascinating World of Pigments and Paints

In addition to painting houses, paints are used to give color to automobiles, underground storage vessels, road marks, ships and many more items. The element in paints that is responsible for lending color to several applications is pigments. Pigments hold a place of great importance in the paint industry with huge quantities of the various…

In addition to painting houses, paints are used to give color to automobiles, underground storage vessels, road marks, ships and many more items.

The element in paints that is responsible for lending color to several applications is pigments. Pigments hold a place of great importance in the paint industry with huge quantities of the various varieties being used for different purposes. Pigments in paints act as colorants in commercial, industrial and decorative applications. The different type of pigments for paintings can be listed as below:

Earth Color Pigments: These are obtained from natural sources and are classified as inorganic pigments. They are weather resistant, light fast and chemical fast. Some examples under this category are Umber, Ocher, Swedish red, Bolus etc.

Mineral Pigments: These are classified as synthetic inorganic pigments. A few of the pigments included in this category are Chrome oxide green, Titanium dioxide, Ultramarine variety of pigment blue, Iron oxide yellow, Nickel titanium yellow etc.

Plant Color Pigments: These are obtained from natural organic pigments available in plants. Some examples that come in this category are Saffron, Indigo, Alizarin red, Reseda, Woad etc.

Synthetic Pigments: Some synthetic pigments also find their way into the paint industry. Phthalocyanine, Azo, Dioxazine are just to name a few of them.

The pigment in paints not only acts as a colorant but also offers the underneath surface protection from weathering and corrosion. It is in fact responsible for holding the paint together. Special pigments are used in specific applications such as providing metallic fines to automobile bodies or offering long lasting feature for road marks. In addition to pigments, paints contain binders and solvent.

The binder helps in holding the coating of paint to the substrate. Solvents also called as thinners act as a medium in which the binder, additives and pigments are dispensed as true solutions or as colloidal dispersion. The pigment, binder and the solvent have to be mixed in the right proportions so that the final finished output is a smooth, continuous and attractive coat of paint. The paint technologist and the paint technician work in conjuction to achieve the desired final product.

With industrial applications of paints ranging from aerospace, coil, automotive to architectural and decorative, paint formulations have to meet varied technical criteria including offering durability, opacity and ease of application. It is the job of the paint technologist to configure the paint as per pre-determined standards and the painter technician who is responsible for its manufacture to ensure the achievement of the features set down by the paint technologist. The equipment that is commonly used in the manufacture of paint includes ball or pebble mills, vertical and horizontal bead mills and top speed intensive stirrers. The paint manufacturer can make use of some other machinery that is available for the purpose. The efforts of all are however, directed towards obtaining top quality paints!

Benefits of Using Oil Paints

Oil paints are a favorite painting medium for a variety of reasons. They help to create a painting with greater realism, and it is possible to include stunning effects of color and lights. Here are a few of the most pleasant benefits of using oil paints: Simple to work with Oil paints are one of…

Oil paints are a favorite painting medium for a variety of reasons. They help to create a painting with greater realism, and it is possible to include stunning effects of color and lights. Here are a few of the most pleasant benefits of using oil paints:

Simple to work with

Oil paints are one of the simplest mediums to use for an artist. Other more difficult mediums include pastels and watercolor. Because of the ease of use, a lot of artists that are just starting out will use this type of paint. It does not run or move when applied to the canvas which means it is possible to complete a very precise painting. Plus, there is the option to make corrections to the work on the canvas. The paint is easily removed by scrapped with a knife or similar tool. This will leave a blank canvas area which can be repainted as desired.

Flexible application

Oil paints offer complete flexibility and may be applied using a variety of techniques, from dense and thick to thin and diluted using turpentine. This type of paint makes it very easy to create a complete range of shades and tonal transitions, as well as a greater richness in the color scheme. Also, there is not likely to be much of a change in color once the paint is dry, which means it is possible to create transparent and opaque effects, while gloss and flat finishes are also an option.

Dries up slowly

They are slow to dry to give artists the opportunity to work with the paint for a lot longer. This makes it easy to complete a painting over a long period of time and increases the ability to blend and layer. In fact, it is possible to leave oil paints out in the open for a few days without having to worry about the paint drying.

Blends well

A major advantage of oil paints is the ability to easily blend with the surrounding paint. This makes it possible to create distinctive features in a picture, such as unique brush strokes. However, this is only an option when the right type of canvas is used.

Are there any negatives?

Beyond the many benefits of oil paints, the only real drawback is the fact the paint will stay wet for a long period of time. Wet paint is easy to damage, especially if the painting is touched or knotted over before it fully dries.

How to Keep Your Oil Painting Brushes in Great Shape

Better quality artist's brushes will last a long time if cared for properly. This article discusses some of the best ways to care for your good oil painting brushes. Caring for acrylic and watercolor brushes is a simpler process. You just rinse thoroughly with clean water, apply a mild soap (Dawn liquid will do), and…

Better quality artist's brushes will last a long time if cared for properly. This article discusses some of the best ways to care for your good oil painting brushes. Caring for acrylic and watercolor brushes is a simpler process. You just rinse thoroughly with clean water, apply a mild soap (Dawn liquid will do), and rinse again. Conditioning with Master's Brush Cleaner is always a nice finish.

Oil painting brush care is a bit more complicated, but certainly worth the extra effort to extend the life of your brushes. I'm going to share a few different ways to clean your brushes and let you decide what works best for you. Timing is a key element in cleaning your oil painting brushes. If you plan to continue painting the next day, then you can simply wipe the paint out with a paper towel or clean cloth, swish in your mineral spirits or odorless thinner like Gamsol, wipe again, then set them away. You can also wipe out excess paint, dip the brush in a light oil with a few drops of clove oil, and lay horizontally and somewhat elevated to use the next day. Just be sure to work again the next day!

One simple strategy to clean your brushes is to wipe away the excess paint, do a light wash with oil (linseed is okay, but Safflower or Poppy Seed oils are lighter and work a bit better), then wash the brushes with warm water and a mild soap. You have to try these methods to see which you prefer. Much depends on your quality of brush, whether they are natural or synthetic fibers, etc.

A somewhat altered method of the above strategies is to wipe off excess paint, then swish in paint thinner until all color is removed. Use a cleaning jar (Lion Silicoils are better since they have a rust proof metal coil in the bottom rather than a screen, which can be rough on brushes) half filled with thinner and rub the brushes across the coil until paint is removed. Then wash the brushes in a good quality conditioning brush cleaner like Master's Brush Soap. Using Master's is a good idea on all of your brushes once they are cleaned no matter the medium since the conditioner is so good for brush longevity.

One final thought on cleaning is to use Murphy's Original Oil Soap. This stuff is so good that it will usually remove dried oil paint if you soak your brush in it full strength for a couple of hours. Just make sure you rinse thoroughly.

Lastly, drying your brushes is very important. Never dry your brushes standing them vertically with the hair up. Over time this can loosen the hairs and they will fall out. It's best to dry them horizontally or leave them horizontal if you are not cleaning and then plan to paint the next day. They can be stored vertically hairs down, but do not rest them on the hairs. This quickly misshapens the brush. After cleaning and removing most of the moisture, reshape the hairs before you set them aside to dry.

Any of these methods work well to keep your oil painting brushes in top shape for a long time.

5 Things Every New Collector Needs to Know

Art collecting can be called an art onto itself, and I should say there is no right way to buy art! Art is a personal thing and you should always buy what you fall in love with or what excites you. Yes, there are many styles, names, trends and some art goes up faster than…

Art collecting can be called an art onto itself, and I should say there is no right way to buy art! Art is a personal thing and you should always buy what you fall in love with or what excites you. Yes, there are many styles, names, trends and some art goes up faster than others. Art can be very trendy and people may be talking about this artist more than that one. But somewhere between fine wine and investments is where you can find fine art.

Art As An Investment

The basics of art as an investment is that you purchase a piece of art that you're passionate about and in time the artist, gallery, or art house start selling that artist's artwork for more than what you paid for it. Voila! you now have equity in your piece of art, keeping in mind there are many factors to how fast the equity grows and demand for that particular artist. A friend of mine sometimes uses her collection as currency, trading artwork for other things she needs. She has used this method to buy cars, pay bills and dinner. The real value in art is finding other people that are as passionate about that artist as you are. Because of this, if you own the right pieces of art it can be leveraged by sharing it with the world. Corporations, museums and traveling exhibitions lease these kinds of works all the time which provide income for the owners. But If you want a guarantee on your art buying … then I suggest you buy art for love, you'll always get your value out of it.

Do Your Research

Spend some time learning about the art and the artist because trends and popularity can both be misleading. Whenever possible, buy art in person and even better meet with the artist. Ask them about the series if it is in one, ask what is the size of it and if they plan on continuing the series. At some point, you may plan to buy another artwork and it would be good to know if there will be more in that style. If you have the pleasure of talking to the artist, try to find out if they do art fulltime, where they will be showing next and what projects are coming up next. A lot of artists do studio sales, that help control their inventory, sale one-off pieces, and earn them additional income. Knowing when these artists are having their studio sales can typically save you a lot of cash, plus you get to hang-out in the studio. Research can be a collector's best friend.

Collect with a Focus

This is a hard one for new collectors because they have not set any parameters yet. You do not need to limit yourself to just one type of work. Focus on a style or two or three three styles, this will really help you build a great collection. This type of collecting helps to make it easier for identifying the kinds of works you want to purchase.

Proper Title Transfer

Any reputable art dealer or gallery should provide you with things like the provenance, condition, artist information with signature, history and edition numbers.

Documentation Is King

As a collector, you need to have all the documentation for your collection. Because anyone that needs to evaluate your collection must have a very thorough understanding of all the pieces. From your very first artwork you purchase, start a list of all the works, descriptions, invoices of sale prices, the purchase dates, and subsequent appraisal prices. It's a good practice and will save you so many heads in the future.

One of the simplest ways to learn more about an artwork or an artist is to ask questions, have fun and happy collecting.

Specialities of Thanjavur Paintings

There are many artistic and cultural works that speaks about the greatness of the Indian people and one of the greatest artistic works is the Thanjavur paintings and there are many Thanjavur Paintings for sale Online. There are many specialities in this Thanjavur painting which we are going to look below: HISTORY The paintings started…

There are many artistic and cultural works that speaks about the greatness of the Indian people and one of the greatest artistic works is the Thanjavur paintings and there are many Thanjavur Paintings for sale Online. There are many specialities in this Thanjavur painting which we are going to look below:

HISTORY

The paintings started its existence since 1600 AD The painters from the Vijayanagar Empire migrated to different parts after the defeat of Vijayanagar Empire. Some migrated to Thanjavur and stayed there under the patronage of the Nayakas Empire. The Nayakas were the one who started giving the importance to the paintings. After the defeat of the Nayakas by the Marathas, the painters got more importance as the Marathas were more passionate towards paintings than the Nayakas. Many paintings of the gods, goddess, religious persons and kings were drawn on the temples, palaces and even on buildings.

TECHNIQUES

The olden people followed many techniques to draw the paintings. They used the natural colors like the vegetables and the dye to color the paintings. They followed the Chinese reverse glass technique which is cheaper and popular than many other techniques. The painters will draw the paintings at the back of the glass which makes the paintings look great with its shining and stone effect. They used the red color for the background, blue color for Lord Vishnu and Green color for Goddess Sivakami. Most of the diagrams are drawn on the spot and each diagram took more than 5 hours to be drawn.

MAKINGS

The Thanjavur Paintings are made by following a special pattern of drawing. First the basic diagram is drawn on the white cloth. That white cloth is being placed on the wooden board. Then after that the white chalk powder is used to coat over the cloth. Then the final diagram is drawn and the painting is done completely. After the paintings are over, artists use the colorful stones to decorate the paintings. At the end, the artists use the gold foil to finish the final decoration. This gold foil effect is the one which makes the drawings to look great.

CONCLUSION

The drawings speak about the greatness of the Indian artists. If you have a question of where to buy the paintings in Chennai, there are many shops and even there are many websites which offer the Thanjavur paintings at a reasonable price. These are the specialties of the Thanjavur Paintings.

3 Simple Tips To Bring Your Oil Painting To Life

Artists love using oil paints on canvas because of its many advantages. Whereas its slow drying process could seem as a drawback, especially for those who would rather finish their pieces faster, for the majority of artists is a plus. This is because it provides them with sufficient time to work on an artwork piece…

Artists love using oil paints on canvas because of its many advantages. Whereas its slow drying process could seem as a drawback, especially for those who would rather finish their pieces faster, for the majority of artists is a plus. This is because it provides them with sufficient time to work on an artwork piece in different sessions without worrying that some parts will dry faster. They also find it much easier to make changes to their creations thanks to the slow drying characteristic of oil paintings. Oil paints also come with an advantage of creating luminous colors that are hard to wear. It is also much easier for the paintings to blend with any surrounding colors so in the end an appealing artwork is achieved.

If you are new to oil paintings, you might consider taking oil painting classes so you can start off on a high. But you can still use the following simple tips to start getting familiar with the painting and ensure that every one of your artwork pieces oozes life.

Tip 1 – Use thick paste on foreground to convey volume

Three dimensional looks are quite lifelike and it is actually possible to achieve this when painting with oil. Oils and acrylics come with the advantage of building thick impastos compared to pastels and watercolors that lack the quality. To achieve the 3D look, apply the thick oil paste on the foreground of your painting and then thin it with receding planes on your piece. In the end you will have a very thing paint layer in the distant background creating the three dimensional illusion.

Tip 2 – Create texture on your piece by dry brushing

Texture is very important, especially on pieces with leaves, grass and crashing water waves and the likes. By using a dry brush technique you can make sure the texture is visible to the eyes. Dry brushing means skipping your brush so that the paint can peel off achieving the desired results. When you hold the brush horizontally and graze it you can tickle bottom surfaces dragging to different directions to create weathered appearance of your wood or make the water foam on the painting look bubbly. There are so many effects you can create with the method so your painting is lifelike.

Tip 3 – Create interest by varying your colors

Instead of adding a number of variations of the same hue in a given area to get rid of boring solid monochromatic colors, generate more interest on your oil painting by mixing colors partially on the palette to neutralize saturation and they squeeze paint out under lots of pressure so you can see minority color variations with every stroke. It may seem challenging at first, but you will love how realistic the painting becomes once you master the technique. This color mixing variegation can be used on different types of oil painting including those with grass, rocks and foliage to get paint variety that makes them look real.

8 Oil Painting Tips for Beginners

Oil paints are high quality and versatile. Plus, they are available in tons of colors. That's the reason they are used by artists all over the world. Although it's easy to get started with oil painting, there are a few things to learn. If you are into painting, you may have your favorite brand, mediums,…

Oil paints are high quality and versatile. Plus, they are available in tons of colors. That's the reason they are used by artists all over the world. Although it's easy to get started with oil painting, there are a few things to learn. If you are into painting, you may have your favorite brand, mediums, palettes and brushes, but there are some general tips for you. Let's read them.

Start small

If you start with small paintings, it will give you a better idea of ​​the techniques, and you will not invest too much time or stuff in the process. So, it's a good idea to go for small canvas boards or canvases. You can try on paper as well.

Get Organized

It's a good idea to choose a place that is well-ventilated and spacious enough so that you can put all of your stuff near you. Moreover, it will make the process a lot easier for you, and you will be able to paint more often.

Buy Quality Brushes

If possible, you should invest in professional standard paints instead of the student grade. In the same way, when it comes to buying brushes, opt for high quality ones. If you are just getting started, buying three different sizes is a good idea.

You can opt for synthetic brushes, but there is a host of natural hairbrushes as well. Generally, painters make use of bristle brushes.

Prepare your painting surface

As far as choosing the painting surface is concerned, know that you can choose from paper, wood or canvas. No matter which one you opt for, it's important to use a primer known as gesso on the surface. This will keep the paint from getting into the surface.

As an alternative, you can choose a good quality pre-primed board and apply another coat for making the surface even smoother.

Color mixing

It's important to note that the primary colors do not fall under the category of “pure”. Actually, they lean towards blue or yellow. So, it's important that you know how to mix them.

Painting palette

If you think you have to use all the colors when you are just getting started, you need to think again. At first, you may want to do a monochrome painting. In this case, you will use just one hue, its shades, and tints. Based on what you want, you can go for either of the two.

Oil sketch

An oil sketch is a thin sketch of color and turpentine. Know that it will dry pretty quickly. Next, you can add layers of paint without waiting too long.

Clean your brushes

After you are done with a painting, do not forget to clean your brushes using water and soap. You may want to use rags and paper towels for wiping the excess turpentine and paint from your brushes.

So, these are a few basic tips that may help you get started with oil painted if you are a beginner. Hopefully, you will be able to get the hang of it.

Vincent Van Gogh: The Victim of His Own Behavior

Vincent van Gogh was born in 1853 in Zundert in the south of Netherlands. He was unlucky to live only for 37 years and to discover his passion for art at the age of 27. Therefore, he worked as an artist for only 10 years of his life. This article investigates why his artistic works…

Vincent van Gogh was born in 1853 in Zundert in the south of Netherlands. He was unlucky to live only for 37 years and to discover his passion for art at the age of 27. Therefore, he worked as an artist for only 10 years of his life. This article investigates why his artistic works were neglected and underestimated although he lived in the Enlightenment Age, which means that he lived in the age when the art movement was at its apex.

During the Enlightenment Age, emphasis on literature, philosophy, science, fine arts and music became more widespread, especially with the growing middle class. This means that Vincent van Gogh had lived in a revived and flourishing artistic movement, which was supposed to help him flourish as an artist and become rich. On the contrary, he did not avail himself of the Enlightenment Age and gain a reputation as an artist. Although Vincent painted 900 paintings and more than 1,100 drawings, his works remained unknown and unsold and his brother Theo supported him financially during his lifetime.

Perhaps one of the reasons for his failure to assert himself as a well-reputed artist is his clumsy behavior when he underwent psychotic episodes and delusions. Another reason which added insult to injury is his short-tempered nature and rudeness which most of the times brought him bloody confrontations most prominently his fight with his fellow Gauguin that ended up with cutting off Vincent's' earlobe. Moreover, he was always dirty and not well-dressed, which made people avoid dealing with him and or buying his artistic works. Furthermore, the deterioration of his health and financial status delivered more pangs to his life and caused an early death to such a great artist like Vincent but now in our age, his magnificent painting (Portrait of Dr Gachet) is sold around 150 million dollars in auctions.

What we learn from Vincent's experience is that the seed that is planted in darkness may blossom later in the light. This means that if you work on something maybe you will not see its fruits or its fruits may be predestined to the next generations. What is more important as a moral lesson is that we should not judge talented people by their outward show but by their abilities, talents and essence.

Vincent van Gogh is just an example of the talented people who failed in their pursuit towards glory.